Use of epithets. What is the epithet of fiction used for and what is it?
Here you will find out what is an epithet, where it is used and what its role is in the modern world.
Speaking about epithets, it is worth saying that this word is of Greek origin and means “turn of speech” or “turn of speech.” It is derived from the word “trope,” which can otherwise be described as a form of thinking.
An epithet is a definition of a word that affects its expressiveness and beauty of pronunciation.
They are used in figurative and literary speech to add color to it and create a visual image. Most often, an epithet is an adjective, but it can be an adverb, a noun, or even a numeral.
It has no clear place in literary theory. In etymology it is called an adjective, in syntax it is called a definition.
Epithet– this is an artistic and figurative definition that emphasizes the most significant feature of an object or phenomenon in a given context; used to evoke in the reader a visible image of a person, thing, nature, etc.
What is an epithet in Russian, examples
Writers and poets usually use established words as epithets, but sometimes they come up with their own. For example, what is Chekhov’s “marmalade mood” worth? Try it, find out what it means.
Open any book of classics of Russian prose and poetry, ancient fairy tales and epics, to find for yourself:
- white hands;
- good fellow;
- red maiden;
- the lonely sail is white.
Epithets today
Now the literary language is gradually disappearing. The books use simple expressions, descriptions give way to dialogues, and the beauty of speech is lost. In the world of computers, literary language has almost no place. In-demand SEO copywriting requires conciseness and brevity, so it is almost impossible to find adjectives in modern texts like this. There are even services like Glavred that remove words that do not carry value, which also includes epithets.
Nowadays, incomprehensible words, slangs like , appear more often, which are borrowed from foreign languages, forgetting the native one.
To understand what an epithet is, you need to open the classics of Russian literature, maybe poets, maybe writers, and immerse yourself in reading, without missing a line. Choose books you like, let it be Pushkin, Yesenin or Tolstoy, but only there you will understand the real beauty and richness of the Russian language and the beauty of epithets and other figures of speech.
There are many words in the Russian language that cannot always be given an exact definition, although you hear them almost every day. These words include Epithet. What does Epithet mean?? Before continuing, let me suggest you read a few more articles, for example, what does Townhouse mean, what is Sovereign Debt, what does the expression Middle Class mean? This word was borrowed from the Greek language" Epithetos" and is translated into Russian as "attached", "added". In fact, it is often used instead of the term "adjective", although not in all cases it has a similar meaning to an epithet. As a rule, epithets are intended to be more colorful describe an object or person from the point of view of the narrator, as well as highlight certain properties that the author wants to emphasize.
Epithet- this term in fiction, as a rule, lyrical, poetic, contains special expressive properties, highlighting in the object of the narrative something that is initially inherent only to it, allowing you to look at it from an unusual point of view
Examples of epithets:
"Plague spring" - means excellent spring weather, which one has been waiting for so long all winter; this phrase was invented by famous performers Nastya Kamenskikh and Senor Potap.
"Beautiful maiden" - this epithet emphasizes that the girl is very attractive, since the word “krasna” means “beautiful.”
"Good fellow" - this expression means "strong guy", that is, it characterizes a man as healthy, pleasant in appearance and positive in all respects.
"To love dearly" - means passionate and selfless love, although not always on a mutual basis.
"Second Life" - this means starting life from scratch, or repairing a broken thing and using it again.
"Moscow golden-domed" - this epithet appeared during the Russian Empire, when Orthodox churches were actively built and put into operation throughout the country, the domes of which were covered with gold leaf.
"Wild West" - this epithet was assigned to the United States during the Migration of Peoples, when many people decided to start a “second life” in a new place. However, this place was completely wild and not suitable for life; everything had to be “wrested” from nature with a fight.
Epithets are necessary in a literary text for:
To achieve with their help special depth, expressiveness and sensitivity.
Usually the epithet in the text is located after the word being defined in postposition.
As a rule, the structure of the epithet itself is quite simple. It consists of a noun and an adjective.
If you place epithets in a literary text, separated from each other, so that they take a vertical position, then such an arrangement will only have their sensual meaning and will give the sound an unusual depth.
(reklama3)
Sometimes reflecting on the narrator's epithet, we will gradually comprehend the idea and the complexity of constructing the expression. For example, analyzing the epithets of the great poet Mayakovsky, we can discern a carefully hidden semantic depth, which is filled with bewilderment, irony, sarcasm and bitterness.
All this variety of meanings and lexical subtext is achieved with the help of the author’s expressive and artistic assistant - epithet.
In the task it is necessary to reveal the definition of the term “epithet” and give examples.
Definition of epithet
Epithets are bright colorful definitions of an object, action or phenomenon. Most often, epithets are adjectives (which? which? which? which?), but they can also be other parts of speech. Epithets are a means of expression, and not a single literary text can do without them. Epithets are used in poems, prose, and are found in all forms of literature.
Most often, epithets are used to describe something or someone. Without epithets, our speech would be dry and primitive.
But even here you need to be careful not to confuse the epithet with a simple adjective. For example, “green (grass)” - “emerald (grass)”. In the first case
The epithet, as it were, embellishes, makes the described object brighter.
In order not to confuse an epithet and a simple adjective, you can cheat a little. For example, take the phrases “yellow autumn” and “golden autumn”. In the first phrase “yellow autumn” there is no epithet, but in the second, autumn is compared to gold. "Golden autumn - autumn is like gold." Thus, an epithet is a figurative comparison. For example, an affectionate child is a child who knows how to express affection, a bitter truth is the truth with bitterness, deathly silence is silence as in a coffin, velvet skin is skin like velvet, a beautiful girl is a girl. having beauty. And it is impossible to find a comparative phrase for phrases like “big house”, “red ribbon”, “crumpled paper”, and accordingly they will not be epithets.
Examples of epithets. How to find an epithet in a text
For example, let's take a short excerpt from a poem by F. Tyutchev.
There is in the initial autumn
A short but wonderful time -
The whole day is like crystal,
And the evenings are radiant...
Let's find epithets:
- a marvelous time (the time is compared to a marvel);
- crystal day (the day is compared to crystal);
- the evenings are radiant (evenings are compared to the rays of dawn).
You should also remember that the adjectives in the expressions “red sun”, “red maiden”, “good fellow” will also be epithets.
What is one of the main beauties of human interaction? Of course, in communication, sharing your thoughts, emotions, sensations with each other through language. Now imagine if all our conversations came down solely to the transfer of this or that information, bare data without any figurative characteristics or additional meanings reflecting our attitude to what was said. This would be reminiscent of the communication of machines exchanging various combinations of zeros and ones, only instead of numbers there are words that do not carry any emotional connotation. Expressiveness of speech is important not only in everyday communication, but also in literature (and here it is “vital”). Agree, it is difficult to imagine a novel, poem or fairy tale that does not use figurative definitions and others. This is why epithets are important in our speech, both oral and written. What it is? This is precisely what helps make the words and phrases used more colorful, more accurately convey their essential features and express our attitude towards them. Next, we will take a closer look at this concept, define the role and meaning of epithets in speech, and also try to classify them depending on the purposes and features of application.
The concept of an epithet and types of its constructions
Let's start by presenting a complete and deeper understanding of the word "epithet": what it is, what structure it has, how it is used in certain situations.
Adjectives as epithets
From ancient Greek, “epithet” is translated as something “attached” or “added” to the main thing. This is true. These special expressive words always come as a complement to others denoting some object (object or subject). Usually this is a “definition + noun” construction, where the epithet is a definition, usually an adjective (but not necessarily). Let's give simple examples: black melancholy, dead of night, powerful shoulders, sugar lips, a hot kiss, cheerful colors, etc.
In this case, adjectives are epithets that allow us to draw a more complete picture of a particular subject: not just melancholy, but “black”, oppressive, impenetrable; not just a kiss, but a “hot”, passionate, giving pleasure - such a description makes you feel more deeply what the author wants to convey, experience some sensations and emotions.
Using other parts of speech as epithets
However, the role of epithets can be played not only by an adjective; often in this “role” adverbs, nouns, pronouns, and even participial and participial phrases (that is, not one word, but a combination of them) appear. Often it is these parts of speech that make it possible to more accurately and vividly convey an image and create the desired atmosphere than adjectives would do.
Let's look at examples of using various parts of speech as epithets:
- Adverbs. In a sentence they are circumstances. Examples: “The grass bloomed merrily” (Turgenev); “And I complain bitterly, and I shed bitter tears” (Pushkin).
- Nouns. They give a figurative description of the subject. Act as applications or predicates. Examples: “Oh, if only Mother Volga ran back!” (Tolstoy); "Spring of honor, our idol!" (Pushkin).
- Pronouns. They are used as epithets when they express the superlative degree of a phenomenon. Example: "...combat contractions...they say what kind of contractions!" (Lermontov).
- Participles. Example: “...I, enchanted, cut the thread of consciousness...” (Blok).
- Participial phrases. Examples: “A leaf ringing and dancing in the silence of centuries” (Krasko); “...borzopists...who have nothing in their language except words that do not remember kinship” (Saltykov-Shchedrin).
- Participles and participial phrases. Examples: “...playing hide and seek, the sky comes down from the attic” (Pasternak); “... frolicking and playing, it rumbles...” (Tyutchev).
Thus, epithets in speech can be not only adjectives, but also other parts of speech if they help convey an image and more accurately express the properties of the object being described.
Independent epithets
Rarely, there are cases when expressive means are used in a text without a main word; epithets act as independent definitions without qualifiers. Example: “I look for strange and new things on the pages of old, scribbled books” (Block). Here the epithets “strange” and “new” simultaneously play two roles - both the definition and the defined. This technique is typical for the literature of the era of symbolism.
Methods for classifying epithets
So, now we have a fairly clear idea of such an important term in literary theory as epithets. We looked at what it is and how it is used. However, for a better understanding of this phenomenon, it is important to be able to distinguish and classify epithets according to certain criteria. Despite the fact that the main and most important purpose of using these expressive means always comes down to one thing - to describe, to give an artistic definition of an object or phenomenon, all epithets can be classified. They are divided into groups according to different parameters, which we will consider below.
Types of epithets from a genetic point of view
The first group divides epithets into types depending on genetic origin:
- general language (decorating);
- folk poetic (permanent);
- individually-authored.
General linguistic ones, also called decorative ones, represent any characteristics that describe objects and phenomena and their properties. Examples: gentle sea, deathly silence, leaden clouds, ringing silence, etc. We usually use them in everyday speech in order to better convey the atmosphere of the event/object being described and our feelings to the interlocutor.
Folk poetic, or permanent, epithets are words or entire expressions that over many years have become firmly attached to certain words in people’s minds. Examples: good fellow, red maiden, clear month, open field and others.
Individual author's epithets are a product of the creative thought of the author himself. That is, previously these words or phrases were not used in speech in exactly this meaning, and therefore were not epithets. There are a lot of them in fiction, especially in poetry. Examples: “the face of the thousand-eyed trust...” (Mayakovsky); “transparent flattery necklace”, “rosary of golden wisdom” (Pushkin); “...an eternal motive in the middle of life” (Brodsky).
Epithets based on metaphor and metonymy
Epithets can also be divided into groups according to other criteria. Since figurative epithets are often associated with the use of words in a figurative meaning, depending on the type of this figurative word (which is an epithet), we can distinguish:
- metaphorical;
- metonymic.
Metaphorical epithets, as is already clear from the name, are based on “light patterns”, “winter silver” (Pushkin); “dull, sad friendship”, “sad, mournful reflection” (Herzen); “barren fields” (Lermontov).
Metonymic epithets are based on the figurative metonymic meaning of the word. Examples: “her hot, scratching whisper” (Gorky); “birch, cheerful language” (Yesenin).
In addition, epithets based on metaphorical or metonymic meaning can incorporate properties of other tropes: combined with hyperbole, personification, etc.
Examples: “Loudly winged arrows, beating behind the shoulders, sounded / In the procession of an angry god: he walked, like the night” (Homer); “He cursed, begged, cut / climbed after someone to bite into the sides. / In the sky, red as a Marseillaise / the sunset trembled, rounding around” (Mayakovsky).
This use of epithets makes it possible to express the author’s perception of some phenomena/objects even brighter, stronger, and more accurately and to convey these feelings to readers or listeners.
Epithets from the point of view of the author's assessment
Epithets can be divided into groups depending on how the author’s assessment is expressed in the work:
- figurative;
- expressive.
The former are used to express features and focus attention on some significant differences and properties of an object without expressing the author’s assessment of it. Examples: “...in the autumn twilight, how ghostly the transparency of the garden reigns” (Brodsky); “Your fences have a cast-iron pattern / And the flame of the punch is blue” (Pushkin).
Expressive epithets (as is already clear from the name) give readers the opportunity to hear the author’s attitude, his clearly expressed assessment of the described object or phenomenon. Examples: “meaningless and dim light” (Block); “the heart is a cold piece of iron” (Mayakovsky).
However, it is worth noting that such a division is very conditional, since often figurative epithets also have an emotional connotation and are a consequence of the author’s perception of certain objects.
The evolution of the use of epithets in literature
When discussing what epithets are in literature, one cannot help but touch upon the topic of their evolution over time. They are constantly undergoing change, both historically and culturally. In addition, epithets differ depending on the geography (place of residence) of the people who created them. Our upbringing, characteristics and living conditions, experienced events and phenomena, experience gained - all this influences the images created in speech, as well as the meaning that is inherent in them.
Epithets and Russian folk art
Epithets - what are these images in oral folk art? At the early stage of the development of literature, epithets, as a rule, described some physical properties of objects and highlighted significant, key features in them. The emotional component and expression of attitude towards the described object faded into the background or were completely absent. In addition, folk epithets were distinguished by exaggeration of the properties of objects and phenomena. Examples: good fellow, untold riches, etc.
Epithets of the Silver Age and postmodernism
With the passage of time and the development of literature, epithets became more complex, their designs changed, and their role in works changed. The novelty of poetic language, and therefore the use of epithets, is especially clearly visible in the literary works of the Silver Age. Wars, rapid scientific and technological progress and related changes in the world have led to changes in human perception of the world. Writers and poets began searching for new literary forms. Hence the emergence of a large number of “own” (that is, the author’s) words due to the violation of habitual morphemes, connections of stems, new forms of words and new ways of combining them.
Examples: “Curls sleep on the shoulders of snowy whiteness” (Muravyev); "Laughers... who laugh with laughter, who laugh with laughter, oh, laugh with laughter!" (Khlebnikov).
Many interesting examples of the use of words and unusual depictions of objects can be found in the works of Mayakovsky. Just look at the poem “The Violin and a Little Tenderly”, in which “the drum... slipped onto the burning Kuznetsky and left”, “the stupid plate clanged out”, “the copper-faced helikon” shouted something to the violin, etc.
The literature of postmodernism is also noteworthy in terms of the use of epithets. This direction (which emerged in the 40s and received its greatest development in the 80s) contrasts itself with realism (especially socialist realism), which dominated in Russia until the end of the 70s. Representatives of postmodernism reject the rules and norms developed by cultural traditions. In their work, the boundaries between reality and fiction, reality and art are erased. Hence - a large number of new verbal forms and techniques, curious and very interesting uses of epithets.
Examples: “The diathesis was blooming / The diapers were turning golden” (Kibrov); “The acacia branch... smells of creosote, vestibule dust... in the evening it tiptoes back into the garden and listens to the movement of electric trains” (Sokolov).
The works of the postmodern era are replete with examples of what epithets are in the literature of our time. One has only to read such authors as Sokolov (an example is presented above), Strochkov, Levin, Sorokin, etc.
Fairy tales and their characteristic epithets
Epithets occupy a special place in fairy tales. Folklore works of different times and different peoples of the world contain many examples of the use of epithets. For example, Russian folk tales are characterized by the frequent use of distance epithets, as well as definitions describing the surrounding nature. Examples: “open field, dark forest, high mountains”; "far away lands, in a distant state" ("Finist - the clear falcon", Russian folk tale).
But Iranian fairy tales, for example, are characterized by oriental imagery and florid speech rich in various epithets. Examples: "... a pious and wise sultan, who delved into state affairs with extraordinary care..." ("The History of Sultan Sanjar").
Thus, using the example of epithets used in folk art, one can trace the cultural characteristics inherent in a particular people.
Epithets in epics and myths of different peoples of the world
At the same time, folklore works from around the world are characterized by common features of the use of epithets that serve a specific purpose. This can be easily seen in the example of ancient Greek myths, Celtic legends and Russian epics. All these works are united by the metaphorical and fantastic nature of the events; epithets with a negative connotation are used to describe frightening places, events or phenomena.
Examples: “boundless dark Chaos” (ancient Greek myths), “wild screams, monstrous laughter” (Celtic legends), “filthy idol” (Russian epics). Such epithets serve not only to vividly describe places and phenomena, but also to form a special perception and attitude of the reader towards what he read.
What is the richness of the Russian language? Epithets and their role in colloquial and artistic speech
Let's start with a simple example. A short dialogue of two sentences: “Hello, son. I’m on my way home. How are you? What are you doing?” - “Hi, mom. Good. I ate the soup.” This conversation is a dry exchange of information: the mother is going home, the child has eaten soup. Such communication does not carry any emotions, does not create a mood and, one might say, does not give us any information about the feelings and real state of affairs of the interlocutors.
It’s another matter if epithets “interfere” in the communication process. What does it change? Example: “Hello, my sweet son. I’m driving home tired and exhausted like a dog. How are you doing? What are you doing?” - “Hello, dear mommy. I had a hot day today, in a good way! I ate the soup, it was great.” This example very well answers the question of why epithets in modern speech are so important, even if it is an ordinary everyday conversation. Agree, from such a conversation it is much easier to understand what mood each of the interlocutors is in: the mother will be glad that her son is doing well, and is pleased that he liked the soup; the son, in turn, will understand that his mother is tired and will heat up dinner for her arrival or do something else useful. And all this thanks to epithets!
Epithet in Russian: role and examples of use in artistic speech
Let's move from simple to complex. In artistic speech, epithets are no less, and perhaps even more important. Not a single literary work will be interesting and will not be able to captivate the reader if it contains few epithets (with rare exceptions, of course). In addition to the fact that they make it possible to make the image of the depicted phenomena and objects brighter and more expressive, epithets also perform other roles in:
- They emphasize some characteristic features and properties of the object being described. Examples: “yellow ray”, “wild cave”, “smooth skull” (Lermontov).
- They explain and clarify the features that distinguish an object (for example, color, size, etc.). Example: “Forest... lilac, gold, crimson...” (Bunin).
- Used as a basis for creating an oxymoron by combining words with contrasting meanings. Examples: “brilliant shadow”, “poor luxury”.
- They allow the author to express his attitude to the phenomenon being described, give his assessment and convey this perception to readers. Example: “And we value the prophetic word, and we honor the Russian word” (Sergeev-Tsensky).
- They help create a vivid idea of the subject. Example: “...the first ringing of spring... rumbles in the blue sky” (Tyutchev).
- They create a certain atmosphere and evoke the desired emotional state. Example: “...lonely and a stranger to everything, walking alone along an abandoned high road” (Tolstoy).
- They form in readers a certain attitude towards a phenomenon, object or character. Examples: “A rustic peasant is riding, and he is sitting on a good horse” (Russian epic); “Onegin was, in the opinion of many... / A small scientist, but a pedant” (Pushkin).
Thus, the role of epithets in fiction is invaluable. It is these expressive words that make a work, be it a poem, a story or a novel, lively, fascinating, capable of evoking certain emotions, moods, and assessments. We can safely say that if there were no epithets, the very possibility of the existence of literature as an art would be called into question.
Conclusion
In this article, we tried to most fully answer the question and examined various ways of classifying these means of expression, and also talked about the role of epithets in life and creativity. We hope this has helped you expand your understanding of such an important term in literary theory as epithet.
Hello, dear readers of the blog site. This article is devoted to one of the most common techniques in literature, which makes any text more vivid and interesting. We're talking about epithets.
Today you will find out the answers to the questions:
- - what it is
- - what parts of speech can act as epithets
- - what types are they divided into?
- - and, of course, you will see just a sea of examples of epithets from literature and poetry.
What is an epithet - examples and definition
It's always worth starting with a definition of the term, it seems to me:
But to better explain what it is, it’s best to immediately give an example. Here is the famous poem by Afanasy Fet:
On an evening so GOLDEN and CLEAR,
In this breath of all-victorious spring
Do not remind me, oh my BEAUTIFUL friend,
You are talking about our timid and poor love.
See the six highlighted words? Now imagine what the same quatrain would look like, but without them:
On an evening like this
In this breath of spring
Don't remind me, oh my friend,
You are about our love.
The essence of the message has not changed much. The author is still sad about past feelings. But you must admit, our feelings are already different. And the picture as a whole is not so bright, and the depth of feelings is no longer the same. And all because those same epithets were removed from the text.
It is the epithets make each image more complete:
- the evening is GOLDEN AND CLEAR - a picture of a sunset immediately appears before your eyes, and there is not a cloud in the sky;
- ALL-VICTORIOUS spring - the beginning of something new, changes for the better, a sign that old disappointments will soon be a thing of the past;
- BEAUTIFUL friend - emphasizing that the author has maintained a good attitude towards the one to whom the message is addressed;
- TIMID and POOR love - the understanding that feelings were initially doomed to failure for some reason, and this makes the relationship even sadder.
And now, after this analysis, I hope the definition of “epithet” will sound more clear.
An epithet is a word with ancient Greek roots that literally translates as “application.” Its purpose is to emphasize the words adjacent to it, to give them an emotional connotation, enhance their meaning, emphasize imagery. But most importantly - more beautiful.
Epithet constructions
Most often, adjectives act as epithets., with the help of which they decorate a noun. Here are the simplest examples:
- dead night - not just night, but very dark, impenetrable;
- black melancholy - the most sad state;
- sugar lips - lips that are impossible not to kiss;
- hot kiss - a kiss full of passion;
- nerves of steel - a person cannot be unbalanced.
By the way, some people mistakenly believe that any adjective can be considered an epithet. This is wrong! It all depends on in what context and what noun they refer to, and whether they fulfill main function - strengthening the image.
Judge for yourself - the difference between the expressions “warm home” and “warm attitude”. In the first case, it is simply a statement of the fact that there is heating in the room, and in the second, it is emphasized that there are good relationships between people.
Or compare “red marker” and “red sunrise.” In both cases we are talking about color. But in the first it is simply a statement of fact, and in the second the sunrise is more vividly conveyed.
However, not only adjectives, but also other parts of speech can act as epithets. For example, adverbs:
The grass was blooming FUN. (Turgenev)
And I complain BITTERLY, and I shed BITTER tears. (Pushkin)
Or nouns. Example:
A golden cloud spent the night on the chest of a GIANT cliff (Lermontov)
SPRING of honor, our idol. (Pushkin)
It’s as if MOTHER Volga ran backwards. (Tolstoy)
Or pronouns, with which you can give words an excellent form. For example:
Do you remember combat fights? Yes, they say, WHAT MORE! (Lermontov)
Or participial phrases. Example:
What if, enchanted, I HAVE BREAKED THE THREAD OF CONSCIOUSNESS... (Block)
LEAF RINGING AND DANCING IN THE SILENCE OF CENTURIES. (Krasko)
PLAYING HIDE AND HIDE, the sky comes down from the attic. (Parsnip)
As if frolicking and playing, it rumbles in the blue sky. (Tyutchev)
See epithets can be absolutely any part of a sentence, with the possible exception of verbs. But they all serve the same purpose - to make the text more imaginative and rich.
Types of epithets - decorative, permanent, copyright
Despite the common goals, all epithets can be divided into several categories:
- decorating (they are also called general language);
- permanent (folk-poetic);
- copyright (individual).
Decorating epithets- This is the largest group. This includes any combination that describes the characteristics of something. Many of the expressions can be found not only in literary works, we regularly use them in everyday life:
DEADLY silence, TENDER sea, LEAD clouds, piercing wind, CRACKING frost, GENIUS solution, FUNNY colors and many others.
Go to category constant epithets include phrases that, after many years, have become firmly entrenched in people’s minds. They even became, and the words are no longer pronounced individually (or extremely rarely):
A GOOD fellow, a HANDSOME maiden, a CLEAR field, a CLEAR month, GOLDEN autumn, WHITE RUNS, DENSE forest, INCREDIBLE riches and so on.
By the way, if you noticed, many of the constant epithets are right away - or with songs. That is why their second name is folk poetic.
MARMALADE mood. (Chekhov)
TRANSPARENT flattery NECKLACE, GOLDEN rosary of wisdom. (Pushkin)
The face of the THOUSAND EYES trust. (Mayakovsky)
FUCKING indifference. (Pisarev)
The meaning of epithets for literature and language in general
Not a single literary work can do without epithets (and). If they don't exist, then the text will turn out dry and lifeless, and it definitely won’t be able to captivate the reader. Therefore, the more the author uses them, the better.
But in our everyday speech we should not forget about such techniques. For example, exchanging SMS or messages on social networks. After all, the simple question “How are you?” You can simply answer “Fine”, or you can also “Fine, it was a hot day, but I was tired as a dog.”
In the first case, it will be just dry information, but in the second, the interlocutor will also know your emotional state, which is much more important.
Good luck to you! See you soon on the pages of the blog site
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